Sunday, 23 April 2017

Biscuit Blog: Belmont Biscuits Coconut Cookies

Belmont Biscuits Coconut Cookies

These were a really pleasant surprise and found approval more widely in the Rooksmoor household than just from your reviewer.  There tend to be some gems among the own brand biscuits of stores and these are the one from Aldi's Belmont Biscuits range.  They are of a decent size and have a good snap.  Unlike some coconut biscuits they do not crumble.  They have a sweet flavour but do not overdo it.  There is a nice coconut taste but only with a few strands of coconut in each biscuit in contrast to some that are full of shreds.  They are very moreish.  I was pleased with these.


Tuesday, 4 April 2017

Biscuit Blog: Belmont Biscuits Cookies 'N' Cream biscuits

Belmont Biscuits Cookies 'N' Cream biscuits

These are Aldi's version of Oreos.  However, both the biscuits and the packet itself are very small.  They come close to the taste of Oreos but the darkness of the chocolate biscuit is so strong that it almost gives a 'burn' to your tongue.  The filling is very creamy and these flavours are so at the extremes from each other to make it a very odd taste overall.  You can compare it unfavourably with other sandwich biscuits such as Bourbons and Custard Creams, in which the filling compliments the flavour of the biscuit.  I accept that Aldi has done reasonably well in creating a biscuit which has strong flavours rather than the blandness of too many biscuits I review, but I think it needs toning down on the two components.  The packet and the biscuits themselves both need to be larger no matter what other company's biscuit they may be aping.


Friday, 31 March 2017

The Books I Read In March

'The Necessary Death of Lewis Winter' by Malcolm Mackay
This is the first book in a crime trilogy that I was given.  It is set in Glasgow, though you could not really tell that from the details in the novel.  Fortunately it does not use dialect, but apart from the very Scottish names held by many characters, you could easily imagine it taking place in a town in the Midlands or southern England.

As a writer you are often told to 'show, not tell', i.e. to keep the narrator back a bit, not explaining everything to the reader, but allowing the reader to gather information from how the characters act.  Mackay has gone to the opposite extreme and much of the book reads like a handbook on how to be a gangster.  It is interesting, but tends to drain a lot of life and certainly tension from the book.  This problem is further exacerbated by how almost every single character is unpleasant, including the police.  None of them is anybody you would want to associate with let alone empathise with.  This consequently puts up a further level between the reader and the action.

There are occasional points of tension, the scene towards the end of the book when a gunman  is  fighting for his life when attacked by a man with a knife.  Yet, even then Mackay pulls away and we only see the outcome some time later.  I recognise Mackay was seeking a new type of voice for a crime novel.  It is interesting but because of this distance and the matter-of-fact handbook style, it is certainly not engaging.  I do not know if this will improve further on in the trilogy as we will be familiar with the characters.  I am rather surprised that the book received the acclaim it did and I guess it was simply because it adopted a new approach, but one I do not feel succeeds.

'How a Gunman Says Goodbye' by Malcolm Mackay
I do not really understand how this novel, the second in the trilogy, won an award.  It is less written in 'how to' style of the first book.  However, it remains very claustrophobic, in part because there are only vague references to Glasgow and for much of the book characters are simply in rooms or driving between them.  This book features fewer characters still than 'The Necessary Death of Lewis Winter' did.  Little happens in the book, despite it being longer than the previous one; I guess because Mackay does not have to introduce the characters and the crime system they are part of.  There is one scene which could have had tension, at the start of the novel, but this means that for the rest of the book, it is all pretty down hill, with no real sense of jeopardy.  The ending with the weary gunman, is a real anti-climax.  It is almost as if Mackay feels he has to recount a story he witnessed rather than write what you would feel is a genuine novel.  Only one of the policemen introduced in the first book has anything to do and so as a result the book simply drifts.  It makes me nostalgic for Peter James's Roy Grace novels, which though not outstanding, had a far greater sense of direction than Mackay's trilogy.  Overall, this comes over as a very bland, directionless book that could easily be in any town in Scotland, it even lacks that local colour.

'Time and Time Again' by Ben Elton
*While I am going to recommend that you do not buy this book, if you do intend to read it, please note that this review is full of spoilers.

I cannot remember when a book has angered me as much as this one.  On the surface you would imagine it would appeal to me.  It is about a man, Captain Hugh Stanton, who is sent back in time from 2025 to 1914 to avert the start of the First World War by both preventing the assassination of Archduke Franz Ferdinand and by assassinating Kaiser Wilhelm II.  He succeeds in both tasks and so alters history. 

There are some good characteristics of this novel.  First is the way in which time travel works.  Sir Isaac Newton is shown in the 1720s as having worked out that time is relative; that it moves in a helix; is affected by gravity and, at specific points along the helix, two dates touch at a particular location.  In this book it is 2025 and 1914 in a cellar beneath a hospital in Istanbul.  Being in that point allows a traveller to go back to 1914.  Elton works on the 'alternate universe' version so that an action which significantly alters the timeline erases the previous universe and replaces it with a new one.  This means that the time traveller and whatever they brought with them from the future, even war poetry, is unaffected by the changes they bring about.

I did worry that Elton was trying to coin a trope initiated by Douglas Adams that time travel is a secret of the University of Cambridge shown in 'Dirk Gently's Holistic Detective Agency' (1987) and the associated incomplete episode of 'Doctor Who' (1979).  Adams went to St. John's College rather than Trinity which features in this novel.  I guess it does allow Elton to bring in Newton and this archaic form of time travel.

The other strength of this novel are the descriptions of Constantinople, Sarajevo and Berlin in 1914.  Elton does these well and captures the sense of appreciation that a time traveller would have.  It also plays lightly with changed manners and language.

Now to the rest.  Hugh Stanton is a former S.A.S. soldier so is violent throughout, casually killing people all over with the most minimal of guilt.  I guess this is to appeal to men who generally would not read a Ben Elton book.  A major problem are the female characters.  They are all treacherous; even Stanton's murdered wife, Cassie, is portrayed as making unreasonable demands on the 'hero'.  Stanton kills his former tutor, Professor McCluskey who sneaks herself on to the time-travel mission when it becomes apparent she had his wife and children murdered.  McCluskey is a caricature of a bullish female academic who is disposed of abruptly.  There is an unconvincing, anachronistic love interest in an Irish suffragette, Bernadette Burdette who, of course, betrays Stanton.  When the third woman 'Katie' from her serial number, turns up, a hardened criminal from the grim future that Stanton's actions create, you realise women are only in the book as devices to enable certain actions to occur.  They are not developed and are removed sharply with no further concern.

Overall, however, the main sense of the book is one of despair.  Early in the book, Stanton's professor complains about the Marxist students in her history classes in the 2000s, because they argue that the path of history is inevitable.  At first this seemed odd: to find a Marxist on campus in the 1980s when I studied, was rare, let alone in the 21st century.  It is only later that you realise that Stanton is not from 'our' history but one in which there was no Second World War.  At the end of the book you find that there have been multiple attempts to use this time hole, constantly altering history.  Elton does not answer, however, why the multiple time travellers have not run into each other before Stanton meets Katie. 

The end of the book shows that every attempt to improve the 20th century it simply makes things worse. Elton does not allow any change to bring an improvement from genocidal totalitarian dictatorships, though ironically, the 20th century that Stanton turns out to have lived through was better than ours because the Second World War was avoided.  Britain is shown as being in a mess in the 2020s, but that is caused by broader trends in society and it looks little different from ours.  There is a misplaced lionising of the pre-1914 situation which does not help.

Yet, Elton will not permit even his own demonstrations that actions could make a difference stand.  Consequently I was reminded of the very bleak movie, 'The Butterfly Effect' (2004) which works on the same basis. Stanton, however, probably deserves the prize for causing the greatest deterioration in one step.  Thus, Elton's message is a highly Marxist one: i.e. that nothing an individual does will alter what is going to happen.  It is a message of despair and suggests that no-one should bother opposing Donald Trump, because, even with time travel, we could only make it worse rather than any better.

I know Elton used to be left-wing, though I did not think he was an ardent Marxist.  I also thought that once he did believe in people getting active to oppose bad government.  Clearly success and age have shifted his view.  In writing a very violent, male-focused, populist book, he is trying to peddle his message that we just have to sit back and accept what we have inflicted on us and that to think we can do anything different is illusion.  A very bleak, unpleasant book, that I advise people to avoid.

'Blast from the Past' by Ben Elton
Though published in 1998 this is a better book than 'Time and Time Again' (2014).  However, it left me irritated and this suggests that I was foolish to think that I would enjoy Ben Elton's books.  He has written 15 in total and I will avoid the others.  This book feels very much like a play.  The action takes place in a flat in Stoke Newington over a couple of hours early one morning.  From this there are flashbacks.  The story centres on Jack Kent, who, as an US Army captain in the 1980s based at the Greenham Common nuclear base, had a heated sexual relationship with a 17-year old peace protestor, Polly Slade.  He abandoned her because of the risk the relationship presented to his career.  In this book he has turned up at her flat sixteen years later to ensure she is not a risk to the final step in his career.

Polly is far better developed than the women featuring in  'Time and Time Again' and a lot of the dialogue is around the conflicts in civil society in both the UK and especially in the USA of the slow advance of women's rights.  Both Jack and Polly believed they had all the answers in the 1980s and while they are still pretty confident that they are each on the right side, doubt has crept in and compromises have been made.  However, while Polly severely messed up her life after Jack's departure, despite some regrets, he has progressed very well.  Thus, in many ways it is also commentary on the differences between the UK and USA and this becomes particularly noticeable in terms of guns and violence.  A stalker, Peter, also becomes involved in the story and one noticeable difference between the late 1990s and nowadays is the legislation that can be brought to bear on such criminals.

I think Elton is better with this book as 1980s protests are very much in his area of expertise.  I am sure he drew on people he knew for real and perhaps others he encountered on the other side.  Kent is a soldier, but you can see the complexity in his character and appreciate sacrifices in what he has done, driven by ambition.  Similarly, though a lot of what Polly has campaigned for, at times you can be frustrated with her for freezing her life at a particular stage.  Saying that, she is constantly misused by men.

The book (363 pages in my edition) is too long and could have been more effective if trimmed down by 50-60 pages.  The length means that our faith that the couple's attraction to each other, which remains strong, could ever had overcome all the obstacles in the way, begins to wear thin.  However, the way Elton writes the swings in emotion is handled well, even if the outcome seems unconvincing.  Picking up this book I had thought it was based, as some others of Elton's books appear to be, on an incident reported in the media.  In this case, the relationship between Petra Kelly (1947-92), sometime head of the German Green Party and Major General Gert Bastian (1923-92), her partner who murdered her before committing suicide.  As the book progressed, I felt that the parallels were minimised but looking back over it, you can certainly see that Elton was keen to explore this kind of relationship without writing a story featuring real people.  Overall, not bad, but the persistence earnestness from the two leading characters and the ending (let alone the happier ending tacked on) have confirmed that I will not be returning to Elton's novels.

'The Age of Lloyd George' by Kenneth O. Morgan
This book consists of two parts, one a standard history of British politics in the period 1890-1929 when David Lloyd George was prominent and then a collection of documents from that era, most not from Lloyd George himself, but providing an interesting context.  The story of the decline of the Liberal Party and its replacement as the main opposition to the Conservatives by the Labour Party is one that has often been covered.  However, Morgan is good at showing that the decline was not as inevitable as some have come to see it and in fact that in the period 1905-14, the Liberal Party reached a new peak and was able to introduce a great deal of legislation.  The fact that it did not achieve more was largely due to the ability of the House of Lords to obstruct any legislation, even budgets and the still insoluble situation in Ireland.

A couple of things stand out from this book.  One is how authoritarian Lloyd George was.  He may have arisen through the Liberal Party, but he was happier as someone almost 'above politics' and even after leading the coalition 1916-22, sought to maintain a combination of Liberals and Conservatives but under him.  Morgan highlights that he was not a team player and really was seeking a kind of centrist Lloyd-Georgeite party.  The more I read about Lloyd George, the more I was reminded of Tony Blair's politics as he always seemed to be more a Christian Democrat than a Labourite and New Labour was very much his personal political party.  Lloyd George went further, of course, and once he had fallen from power he began to embrace dictators notably Hitler.  This reminded me of Blair's support for Colonel Gaddafi, dictator of Libya.

The other parallel which comes from reviewing British politics a century ago, are concerns about the wide divisions in society.  A lot of the industrial unrest in the 1910s stemmed from real incomes falling for ordinary people, just like the 2010s, while there was increasing conspicuous consumption amongst the wealthy who were controlling an increasing share of the nation's income.  It is thus, unsurprising that the period saw the rise of the Labour Party, just as we have recently seen Jeremy Corbyn, the Labour leader best connected to those historic values in the party, coming to the fore and equally causing as much upset in British politics.

This is a brisk book which even though old now (published 1971), provides perspectives that still seem neglected in books that rehash a rather simple portrayal of the political shifts of the early 20th century.  I know that the documents were included as a learning tool, but they provide an interesting context from the perspective of a range of commentators of the time, that enriches the book as a whole.

'Eastern Europe 1740-1985: Feudalism to Communism' by Robin Okey
This is another author that I have met.  I saw him lecture in the late 1980s and then met him at the National Archives in the mid-1990s and finally ran into him a couple of years ago in a café in Coventry.  He is a lecturer who really inspires his audiences with his immense energy.  I do not think I have seen one who charges around the stage as much as Okey does.  He is very skilled in languages and one advantage of this book is that he speaks all of those of the countries he covers, from Poland down to Serbia and Bulgaria, the countries that have lain between Germany, Austria and Italy on one side and Russia on the other.

Okey's ability with languages marks the book out from 'The Habsburg Monarchy' (1941) which I read in December 2015, as he manages to move beyond simply the political and economic aspects to look at the cultural inputs into these facets, especially in terms of how the languages and identity of the various nations began to appear through the time period he covers.  He is very adept at showing the similarities between the different nations and their experiences but then also teasing out all of the exceptions.  Much of his story is about the growth of nationalism in the region and then how this was filtered through the dictatorships of the inter-war and Second World War period, then the Communist regimes that followed.

While Okey hints at the appearance of Mikhail Gorbachev, this book, published in 1987 (it is the 2nd edition, the 1st edition published in 1982 ran to 1980, i.e. the death of Tito), stops before his era begins to impact on the region this book focuses on.  He is appreciative of the possible difficulties that nationalism will cause, but obviously did not foresee how vicious this was going to prove as seen in the Yugoslav War 1991-2001.  However, in some ways stopping before the latest round of upheaval in Eastern Europe proves to be a strength of the book.  It is not over-awed by the end of the Communist regimes so is able to properly analyse how they developed from the 1950s-80s and look at them without the assumption that they would collapse.  This is useful for people interested in the region over those decades; there are many other books which address the fall of the Communist control.

Overall, this is a brisk, lively book which manages to balance very deftly, between making overarching points and drawing out the particularities of specific nations and countries.  It also provides a useful cultural backdrop to the political and economic developments which more frequently feature in books about the region in this time period.

Saturday, 18 March 2017

Biscuit Blog: Belmont Biscuits Malted Milk

Belmont Biscuits Malted Milk

Belmont Biscuits appear to b Aldi's equivalent of the Tower Gate brand for Lidl, i.e. their everyday version.  Their version of Malted Milk biscuits is not too bar.  It has a sound snap and they are not crumbly, even 'sandy' as some Malted Milks are unfortunately.  The creaminess I seek in a Malted Milk is largely lacking, but instead there is a 'tart' flavour which while not what you might be looking for is not unpleasant and means they avoid being yet another effectively Rich Tea in another form.  They have a reasonable level of moreishness.  If Aldi worked on these and tweaked them to bring out a creamy flavour, these could be very successful.


Wednesday, 8 March 2017

Biscuit Blog: Memento French Mixed Berries Butter Biscuits

Memento French Mixed Berries Butter Biscuits

I am finding that Aldi likes very long titles for its biscuits.  These are from its Memento range of upmarket biscuits.  As can be seen from the illustration, the box contains a number of sub-packets each holding four biscuits.  These biscuits are pretty small as you can see from the picture.  They do have dried fruit in them but also, it seems, a rather artificial fruit flavour added on top.  I do not think the latter was necessary.  The biscuits are not buttery in flavour but have a reasonable level of snap for this kind of biscuit and are reasonably moreish.  Thus, they are not bad, but they certainly do not have the flavour whether in fruit or biscuit that you would expect to find in a genuine French equivalent.


Tuesday, 28 February 2017

Books I Read In February

'The Russia House' by John Le Carré
Inadvertently I seem to have been working backwards chronologically through the Le Carré books I was given.  This one was published in 1989, though the edition I have has afterwords written in 2001 and 2010.  I remember seeing the 1990 movie and finding it very boring.  The book is no different.  As I have noted before, it seems that Le Carré feels it is sufficient to create a middle-aged, upper middle class man with an reasonably interesting history and then let him potter around in the spy world.  Somehow, we are supposed to be intrigued by that.  This book features Bartholomew 'Barley' Scott Blair who works for a fictitious publishing house of the kind which was probably extinct even by 1987 when the book is sent.  His company tries to sell to and buy from the USSR.  He comes into contact with a scientist who offers intelligence on failings in Soviet missile systems.  The book largely is about Blair being questioned about the information provided and being established as a pretty ineffectual go-between.  There is a lot of questioning and very little action.  Blair falls in love with a Russian woman who passes on the scientist's message and there is some reference to the loosening of the Soviet system in the light of perestroika.

When Le Carré wrote in the 1960s he kept his books short and tight.  However, certainly since the 1980s, perhaps prompted by publishers, they have become incredibly flabby.  My edition was 453 pages long and even with the lack of action, in 200 pages it could have been tense and engaging rather than a slog.  However, there are some problems with this book even when compared to the other three of his I have read recently.  It has a false start as rather than the information going to Blair when in Moscow it goes to another middle-aged publishing representative Nicholas Landau.  Landau passes it on to British intelligence after a couple of chapters then disappears from the book and it seems to start again with Blair.  I almost fell into the same situation with a novel I am currently writing and now see why it is a bad approach.  The second major flaw is that for some of the book the author narrates then sporadically another character, Horatio dePalfrey [sic], a legal advisor to British intelligence narrates.  Why Le Carré felt the need for this additional layer, a man who rambles on about his mistress irrelevantly, I have no idea.  He fades in and fades out suggesting more uncertainty on the author's part just about what was going on in this book.  It is very poor and an embarrassment in front of what he was writing twenty years earlier.

'Babylon Berlin' by Volker Kutscher
Having now written 17 novellas and a novel featuring a detective in 1920s Germany I was naturally attracted to reading this book.  It was published in German in 2007 but is now available in translation.  It was the first in the Gereon Rath series of detective novels, which have now reached six in number.  This book is known as 'Der Nasse Fisch' ['The Wet Fish'] in German which is police slang for an unsolved case, but this year a series is appearing on German television using the English title.

Kutscher is excellent at the period detail and really conjures up Berlin in 1929, with meticulous detail about various buildings coming and going and the brands in use at the time.  Perhaps as a result of this being the first book in the series, at times you feel he is taking his detective on a tour of the city.  It would really help to have a map of 1929 Berlin to ascertain precisely where everything is in relation to each other.  This factor does not help with the clarity of the novel.  I like a good twist in a detective story, but Kutscher piles twists on thick and fast.  He throws everything into the mix.  There are Communist riots, there are raids on night clubs of the more and less seedy variety, there are conspiracies not simply by the Stahlhelm, the S.A. and elements of the police, but also involving a spectrum of Russians from the Black Hundreds, through the Okhrana to a Leninist anti-Stalin group and perhaps the O.G.P.U., though people still refer to it as the Cheka.  There is even a drugs dealer with a Chinese assistant.  I appreciate Kutscher's effort and I wonder, even though he had published four crime novels before this one, that he worried that he would not get another chance with his Rath character.

A couple of other factors do not help with clarity.  One is that Rath jumps between different senior police officers of various branches, even getting to travel with the Berlin Commissioner of Police at one stage.  The various 'jurisdictions' are not clear.  I know he is supposed to be uncertain who to trust, but with so many 'players' in the game, it leaves you rather bewildered.  Some were real people like the famous cake-eating detective, Ernst Gennat, whereas others are fictional.  I wonder how this is going to be done on screen to ensure the viewers can follow what is happening.  Another issue, more an irritation than anything else is the translation by Niall Sellar.  It is translated partly into British English, i.e. with the police ranks and reference to a 'pub', but partially into American English, i.e. with a 'recess' in a school.  I would also argue that his rendering of the various Meldungen, by which the population of Germany have long been monitored, as 'passports' does not help with clarity.

There are elements of this novel that I enjoyed and I hope that the series gets to the UK.  However, overall I feel that Kutscher has tried too hard and as a result the novel is less than the sum of its parts.  It ends up reading like one of those 1970s airport thrillers about White Russian or Nazi gold rather than a decent detective novel.  Though I complain about Philip Kerr jumping around in time with his Bernie Gunther novels set in Germany in the same era, he has greater control over what is going on in his stories, though he too seems obsessed with shoehorning in real people.  I do not know if any of the subsequent Gereon Rath books will be translated, but if so, I will not rush to read them as getting through this one was a labour rather than a pleasure.

'The Wee Free Men' by Terry Pratchett
This is a children's book that was given to me some years ago by a girlfriend.  The protagonist as a nine-year old girl, Tiffany Aching who lives on a farm in chalk downs somewhere on Pratchett's Discworld; a very English-style setting, the kind of terrain I really love.  Her brother is abducted by a Queen of Fairyland and Tiffany, realising that she might be a putative witch sets off to rescue him.  She is aided by six-inch high Nac Mac Feegles, who are brownie-like creatures, immensely strong and fast, mostly male, heavily tattooed and for some reason, who speak in a kind of Scottish dialect; emphasised by the fact that they call themselves 'pictsies' so referencing pixies but also the Picts who occupied what is now Scotland in Roman times.  He does mine the kind of stereotypical Glaswegian hardman trope extensively, triggering off bizarre thoughts of a Pratchett version of 'Trainspotting'!

I have complained recently that I have found Pratchett books published in the 21st century to be laboured.  They make good points but go on too much, losing the wit and quickness of his 20th century.  They were light rather than seriously humorous.  This book was first published in 2003, but because it was aimed at a younger audience, it is far tighter and does not waste time in the way that was an increasing tendency for the 'standard' Discworld novels.  It was the first Pratchett book that I have laughed out loud to for a good number of years.  It is deftly done and there are jokes that only adults, and in some cases only middle-aged adults ('We willna' be fooled again' referencing a 1971 track) would get.  The book is brisk and rich in imagery.  Like the best fairy tales, it does have shocking scenes.  It both subverts the genre it is founded in, but also takes a shot at our own society, especially how it supports/demonises the elderly and 'others', but does this deftly in a way Pratchett seemed to lose when driven to write lengthier novels.  Overall, I thoroughly enjoyed it and felt it represented what is best in Pratchett's writing.  It is the first in a series of five books published 2003-15; I have the next two and will not set them aside given how much I enjoyed this one.

'Rebel' by Bernard Cornwell
I have read all of Cornwell's Richard Sharpe series about an English rifleman set during the Napoleonic Wars and aftermath.  Thus, I was pleased when I was given the four books in his Starbuck series, featuring the American Civil War.  The books are centred on Nathaniel Starbuck, the son of an ardent preacher from Massachusetts who seems to constantly fall into troubles pursuing women he is attracted to.  He abandons study in a seminary and follows one woman into Virginia where he happens to be when the American Civil War breaks out in 1861.  Massachusetts was part of the Union side and eastern Virginia was in the Confederacy.  He ends up in a regiment commanded by the father of one of his Virginian friends and entangled in the rivalries between the various officers and men and their families.  The book ends with Starbuck being involved in the 1st Battle of Bull Run in July 1861.

Cornwell is excellent as always in terms of historical detail such as the climate, what people wear, their weapons, what they eat (though at times the variety of food features seems massive), even their behaviour and language.  I would challenge his portrayal of the obsession with slavery at the start of the war, given that it was not until 1863 that President Lincoln declared slaves to be free (and was ambivalent about that step) and some slave states fought on the Union side.  At the early stage it was more about a federal versus confederal system in the U.S.A.  The major problem with this book is that almost every character is highly unsympathetic.  Violence, one might expect.  However, everyone is self-deluded, self-righteous pompous and arrogant; self-seeking and corrupt.  The women are mean and self-obsessed.  Though quite a lot of characters feature you very often simply want them out of the story to spare you from having to read about them.  When the 'hero' guns down another character on the say-so of a horribly manipulative woman, you are grateful that at least one nasty character has gone.

I wonder how the book was received in the southern U.S.A. as no southern character has any redeeming features.  Many of the northerners are shown to be unpleasant but not as irredeemable as the confederates shown, even the women.  This makes the book very hard going.  At least in the Sharpe books you had Richard Sharpe and the men around him, that you could root for throughout the books, even if they make mistakes.  In this book, Starbuck (and I have a major problem with that name) is self-flagellating for imagined evils which makes him tiresome and yet, then, he feels free to carry out murder to the sake of this nasty woman.  I do not know if Cornwell was seeking to counteract books that lionise the Confederacy but overall he has written a novel, which despite its attention to detail, is very difficult to engage with because so much of the cast are not people you would ever want to spend time with.

'The English Village' by Dennis R. Mills
This seems to be another of these 1960s history books I picked up with charming line drawings in it.  The tone is enthusiastic rather than earnest.  It guides readers, especially children, on how to analyse English villages.  There is a real emphasis on 'English'.  The term is used to refer to the Anglo-Saxons and the author seems to feel that there is nothing much of importance that happened in villages before then, though the Romans and the 'British' left some elements that could be encompassed in an 'English' village.  The Scots only get a mention as raiders and even when featuring a Cornish village, the Celts receive no mention at all.  While nowadays someone would use a computer to do the illustrations, much of the analysis and even many of the sources cited, would still be applicable today.  The book's points are well illustrated with real examples and even draws on Mills's family background and field work.  The enthusiasm extends right to the end of the book where Mills seems to forget this is a book about historical analysis and encourages readers to engage with a village and get involved in local politics to improve it.  Both an interesting and relaxing read, which betrays assumptions of the time (especially jobs being created and done by men) but provides a pleasant slice from a time which, even if in turmoil, still could aspire to both tranquility and progress.

Thursday, 23 February 2017

Biscuit Blog: Memento Half Covered Fruit And Nut Cookies

 Memento Half Covered Fruit And Nut Cookies

I have finally located a branch of Aldi reasonably near my house so have rushed in an bought a range of their biscuits to try.  These are from their Memento range of slightly posher biscuits.  I was intrigued by the 'half covered' in the title, but I guess they have been very precise and you would not be misled.

I must say, they are very thick and they are tasty with creamy milk chocolate and a mix of currants and chocolate chips.  I could not detect the nuts mentioned in the name, but they were still tasty. They do not have a snap, but do not fall apart the way some 'cookies' do, especially ones with fruit or nut elements within them.

I hope this is a sign of good things to come from Aldi as I work through what they have on offer.